'Abandonment' is not a word that many of us might use easily when speaking of the break-up of a family. The blurbs from the Italian Press given on the Goodreads page for this book mention only the first sense, being abandoned by the spouse but I suspect Ferrante has chosen her title well. It’s called I giorni dell'abbandono, literally the days of abandonment and I wondered if in Italian the word abbandono means as much as it does in English, not only abandoning of spouse, children, pets but also abandoning of inhibitions, abandoning of hope. It gives two messages so I looked to see what the title was in the original Italian. She is unafraid of confronting feelings, of calling things by their real names. Olga’s story is not new but this is an original telling of it. She speaks of cutting, of excising the past, I wanted to cut myself to pieces, and we read on, one hand covering our eyes even as we strain to take in every word, because in this book, every word counts, every word performs. As she begins to weigh up the cost of the years of marriage, what she has given, what has been taken from her, what she has renounced, what she is left with, her voice has a dangerous calm to it.
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Everyone needs a skin to protect them, and we read on faster, suffering alongside her, willing her to draw her edges together and sew them up with one of her mother’s darning needles so that we can feel comfortable and quiet again.Īnd Olga does move beyond that initial raw phase, and the language follows suit, reflecting her new state of mind. She, we, cannot survive like this, we think. I had taught myself to wait patiently until every emotion imploded and could come out in a tone of calm, my voice held back in my throat so that I could not make a spectacle of myselfĪs Olga begins to slip beneath the skin of her life, as she folds back her own flesh to reveal her raw and vulnerable centre, the language becomes raw, bleeding, piercing, hold the commas, hold the periods this is abandonment In the beginning, the writing is slow, thoughtful, quiet, with all the necessary commas and periods. While Olga’s voice is always painfully honest, I am clean I am true I am playing with my cards on the table, what really strikes the reader is how the language of the narration changes as Olga’s state of mind changes. The shape of the telling fits the theme perfectly, and the honesty of Olga, the narrator, allows the reader to share in her experience, to look through every line, to gaze downward and feel the vertigo of the depths, the blackness of inferno. The atmosphere of this book is far more powerful than the sum of each of its words. The shape of the telling fits the theme perfectly, and the honesty of Olga, the narrator, allows the reader to share in her experience, to look through every line, to gaze downward and feel the vertigo of the depths, th What happens when a person’s domestic life with spouse and children, their entire personal existence, cracks like a bottle of wine and spills all over the floor?
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What happens when a person’s domestic life with spouse and children, their entire personal existence, cracks like a bottle of wine and spills all over the floor? The Days of Abandonment happens.